I joined the Barren Bitches Book Tour for the second time to revisit the fabulous “Harriet the Spy,” a book I absolutely loved as a kid. I had read it again as an adult, but it had been a few years, and it’s always a different experience to read something for a book club than it is just to read. At least that’s how it is for me – when I’m just reading, I just do it for the pleasure of it, especially when it’s a story I know so well. When I’m doing it for a group, I definitely approach it much more critically, looking for themes and paying closer attention to the language. I noticed the language especially this time around – what a fabulous book! So much wit and cleverness, with brilliant characters, mercilessly skewered and tenderly portrayed. I consciously appreciated this for the first time as I re-read this book for the BBBT.
1. When you read it, do you read it as an adult reading a child’s book or do you forget that you’re grown-up and think of it in the part of your mind that is still 12?
As I said above, to me it’s very different reading this book now. Of course it brings back a lot of memories of feeling at odds with the world and the times I was shunned by my peers for reasons I didn’t understand. But I understood a lot more clearly this time why I liked the book so much (see the question below). I think part of this comes from reading the book as part of a group, and part of it comes from just where I am in my life right at the moment, feeling a bit raw and unprepared for being a grown-up, and wishing sometimes to go back to the innocence and intimacy of childhood. Perhaps this desire is a slightly twisted expression of my wishes for my own child. Hmm.
2. This book was written in 1964, when gender roles & stereotypes were much more rigid than they are today. In Chapter 4, Harriet & Janie feel the pressure to conform, to go to dancing school and be steered away from “unfeminine pursuits” — while later in the book, Marion, Rachel, Laura & Carrie imitate their mothers by playing bridge & drinking tea in the clubhouse. I was reminded of Carol Gilligan’s work on how girls’ “voices” change as they become adolescents. What do you think happened to Harriet & Janie as they became teenagers? Do you think young girls today still feel similar pressures to conform?
I think young girls today do feel similar pressures to conform, and perhaps the pressure is even more insidious because the message is so mixed. Beauty, sexuality, body shape, and what for lack of a better term I’ll call “femininity” are at least as important as they ever were, but added to the mix now is the idea that it’s the inside that counts, that appearance shouldn’t matter, that our worth as women should be based on what we do and who we are. That has been confusing for me, and I can only imagine how confusing it is for girls who have grown up playing with hyper-sexualized dolls and wearing clothes t-shirts that say “flirt” or “pornstar” and are told at the same time that they can be anything and anyone they want to be. That is a horrendous mind-fuck if ever there was one.
3. For some reason, although I’ve read Harriet the Spy literally dozens of times over the years, this is the first time that I realized why I love it so much. It’s because, to me, this is a story of the pain of growing up. The pain of being in between childhood, with the deep, intimate connectedness that entails, and adulthood, with the separation and independence and freedom and responsibility that come with it. Re-reading this book now reminds me that although I had thought as a child that someday I would be done the work of growing up, I don’t feel like I am done, and I wonder if I ever will be. So the question is this: what is the experience of growing up like for you? And is it something that you think is ever complete?
This was my question, and I really felt deeply about this reading the book this time around. When Ole Golly left, and Harriet felt so alone – it just brought all that pain to the surface for me. The fear that comes with being alone to deal with life when it gets difficult and we don’t understand why it’s difficult and we don’t know what to do – I’m feeling all of this so keenly right at the moment. There is something so wearying about all of this, feeling like the work of being who I am is never complete, but at the same time it is beautiful when I realize that everything is an opportunity to grow or change or blossom. That’s what spoke to me in this story this time – that tension between uncertainty and peace, and how we move constantly between them.
Sorry it took me so long to get this up – this week my work suddenly got busy, and I’m finally feeling better from the nasty virus I had, only to find that it was only a diversion from a bit of depression about the whole baby situation and the looming holidays. But all that is a matter for another post, which I promise to get to soon. Love to you all for your thoughts and comments and wishes for a speedy recovery from my fortnight of yuck. It wasn’t speedy, but your wishes have finally come true, and I am most grateful.
